Sony ZV-1 vs ZV-1M2: An Upgrade Of Compromises And Diminishing Returns

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Sony’s ZV-1 “vlog” centric camera arrived in 2020 and was met with some divided opinions about the direction Sony was taking with this new video-first camera.

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My favorite “solves the problem without actually solving the problem” update in the ZV-1M2 illustrates how cramped the chassis is. Users (myself included) complained that since the ZV-1’s battery and memory compartment is located on the bottom of the hand grip when the camera is mounted to a tripod, the tripod quick release or tripod head covers the door preventing it from opening.

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It’s incredibly complicated to make a super-wide lens with a super-wide aperture in a compact body, and constructing this lens required some compromises in other features. Most importantly, the IBIS system found on the ZV-1 is gone on the ZV-1M2.

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The new interface is so much improved over the ZV-1 that, for me, my ZV-1 be relegated to the studio and other B-camera uses where the settings can be locked off for shooting. The ZV-1M2 is the superior choice for any real-world A-camera use since it’s possible to use the camera without constantly turning it around to push the buttons on the back.

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One “improvement” in the ZV-1M2 drives me insane: adding a Photo/Video/S&Q button on the top plate. Unlike the ZV-E1, which has a slider switch to transfer between modes, the ZV-1M2 has a toggle button.

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Canon recently released the V10, a video camera designed for selfie-style vlogging videos. While the camera has a lot of shortcomings, it’s the first genuinely vlog-only physical design we’ve seen come from a major camera company. The fact that this design came from Canon and not Sony is surprising.

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